Charvel GTM6 Bedienungsanleitung Seite 7

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Seitenansicht 6
4.
TRIGGER,
QUANTIZE,
BEND
modes
The
GTM
6
can
respond
to
the
bending
of
a
string
in
three
different
ways.
None
of
these
are
better
then
the
other,
each
of
these
is
very
useful
in
the
correct
musical
application.
In
TRIGGER
mode
pitch
bending
does
not
follow
smoothly,
instead
a
new
note
is
started
as
you
reach
the
pitch
of
the
neighbouring
semitone.
The
result
is
as
if
a
piano
player
was
trying
to
imitate
a
guitarist.
QUANTIZE
mode
is
similar
to
this,
only
the
exact
pitches
of
a
semitone
scale
are
allowed,
but
the
sound
changes
from
one
semitone
to
the
other
without
starting
the
attack
period
again.
BEND
mode
follows
even
the
slightest
bending
of
your
left
hand
accurately.
The
decimal
points
on
the
display
will
help
you
to
remember
which
of
the
three
bend
modes
is
functioning;
no
points
means
that
the
TRIGGER
mode
is
selected,
the
left
point
alone
means
QUANTIZE
mode,
both
points
mean
BEND
mode.
If
you
use
TRIGGER
mode,
any
MIDI
synthesizer
can
be
used
without
further
ad
justments.
In
the
other
two
modes
the
GTM
6
sends
out
pitch
bend
information,
so
the
pitch
bend
range
of
the
recieving
synthesizer
has
to
be
set
accordingly
to
this
to
8
semitones.
For
example
DX
7
owners
should
set
their
PITCH
RANGE
pa
rameter
to
8,
POLY
800
owners
do
not
have
to
do
anything
since
their
instrument
is
fixed
at
this
value.
Some
synthesizers
from
ROLAND
have a
maximum
pitch
bend
range
of
7
semito
nes,
some
others
from
SEQUENTIAL
have
it
fixed
at
4.
In
order
to
use
one
of
these
you
must
switch
the
GTM
6
to
4
semitone
range.
Press
the
BEND
button
and
keep
it
down
while
you
change
from
PLAY
mode
to
PROGRAM
mode.
On
the
display
the
number
4
appears
denoting
the
new
pitch
bend
range.
If
you
repeat
this
proce
dure,
it
flips
back
to
8.
Remember,
since
the
pitch
bend
wheel
of
a
synthesizer
bends
all
notes
together,
there
is
a
disagreement
between
the
possibilities
of
MIDI
and
the
guitar
player
when
you
pluck
two
or
more
strings
in
BEND
mode
and
try
to
bend
one
of
them.
In
this
case
the
GTM
6
uses
it's
TRIGGER
mode
provisionally
until
you
play
mono-
phonically
again.
If
you
can
afford
six
synthesizers,
(one
for
each
string)
then
this
limitation
does
not
stand
as
you
will
see
in
the
next
chapters.
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